David Bunn Martine, artist, David Bunn Martine, Native American artist, David Martine, Chiricahua Apache Artist, David Bunn Martine, Montauk Artist, David Bunn Martine, Shinnecock Montauk artist
Giclee Editions and Original Paintings and Commissions
David Bunn Martine, born David Bunn Siklos in 1960 in Southampton, Long Island, New York, is of Shinnecock/Montauk, Nde Daa'i Chiricahua Fort Sill Apache from his mother Marjorie, a classically trained opera and concert singer. His father, Thomas Siklos was a Hungarian music director, organist and voice teacher. He comes from an artistic family for several generations.
David is currently Curator of the Shinnecock Nation Cultural Center and Museum, Shinnecock Reservation, Southampton, NY; Chairperson of American Indian Artists Inc.(AMERINDA) based in New York City; and also a painter and sculptor for 30 years.
In 2014, he has add another gallery of commissioned portraits. Custom commissioned portraits are now be ordered according to the custom specifications of a client. A single figure, multiple figures, animals, custom backgrounds and three standard sizes in oil on canvas. Check the specifics in the Terms and Conditions section.
In 2013 he completed on an oral history book of his family through four verbatum oral histories from both the Native American and Hungarian heritage. Time and Memories, Histories and Stories of A Shinnecock-Apache-Hungarian Family, Compiled and Edited by David Bunn Martine, released in 2013, and available for sale at www.lulu.com, contains oral histories from David's Grandmother, Alice Osceola Bunn Martinez; uncle, David Walkus Martinez; mother, Marjorie Carola Martinez; and father, Thomas Siklos.
Living on the Shinnecock Territory, of the Shinnecock Indian Nation, David absorbed the history of his heritage, both the ancient Algonquian cultures from the New England woodlands of the East Coast United States, as well as the Apache, indigenous people of Arizona and New Mexico. He has also sung in choirs and plays piano in response to the Hungarian heritage of his father. David's maternal grandfather, Charles Martine, Jr. was a Nednai-Chiricahua Apache, born at Fort Bowie, Arizona, a prisoner-of-war with Geronimo's band of Apache Indians until 1913. He was raised at Ft. Sill, Oklahoma.
David's family history is very rich both on the Native American and Hungarian sides. His Shinnecock great-grandfather, Charles Sumner Bunn, was a master wood-carver of shore-bird decoys and was a professional guide and hunter. Charles' father was a whaler who sailed around the world participating in the New England whaling industry which flourished in the early 19th century. David's uncle was a commercial artist, wood-carver and photographer. David's Hungarian grandfather, Arpad Siklos, was a famous architect who designed the Vatican Embassy in Budapest and was knighted by the Pope in the Order of Saint Sylvester.
Recently, he has diversified his artistic interests, working in Native American museums, currently, Curator of the Shinnecock Nation Cultural Center and Museum, producing several mural commissions as well as book illustrations, working in large scale wood sculptures, multi-media pieces and spiritual subject matter as well. David's earliest artistic influences were members of his own family: his uncle, David Martinez, his mother and father, and great-grandfather, Charles Bunn. Later, he learned to appreciate the influence of another distant relative the great Warm Springs Chiricahua Apache artist and sculptor, Allan Houser (Haozous), who was one of the earliest and best Native American painters in the Southwest, later becoming the primary influence in the resurgence of stone-sculpture among Native American youth while teaching at the Institute of American Indian Arts in Santa Fe, New Mexico, the narrative realism of Norman Rockwell, the Wyeths and the great Mexican, Italian and Dutch painters. David studied briefly with Constantin Alajalov in the 1980's.
EDUCATION
Central State University, Okla. M.Ed., Art Education 1984
University of Oklahoma, BFA with Honors,
Advertising Design 1982
Institute of America Indian Arts, Santa Fe, NM. Certificate Program, concentration: Museum Studies, 1983
AWARDS
Joan Mitchell Award in Painting - 2008
Joan Mitchell Award Curatorial Fellowship - 2012
Andy Warhol Research Fellowship
Robert Rauchensberg Residency - 2015
Surfpoint Residency - York Maine - 2022
WRITING
"No Reservation: New York Contemporary Native American Art Movement", 2017, American Indian Artists, Inc. (AMERINDA)
Tennis and the Gospel, Good Conscience Gallery 848, Southampton, 2007
Exhibition, Bay Gallery at the Unitarian Universalist Fellowship of Bellport, 2007
Southampton Artist's Association Thanksgiving Show, 2007
Fridays@Noon, Contemporary Native American Work, Parrish Art Museum, South., 2006
New York Mix: American Indian Community House Gallery Museum, 2005
Rogers Memorial Library, Southampton, NY 2001
“Whaling: A Cultural Odyssey”, Sag Harbor Whaling & Historical Museum, NY 2001
“Eastern Stars: New York Alumni of the Institute of American Indian Arts,” AICH Gallery, NY 1998
Southampton Artist’s Association Memorial Day Exhibition, 1998 The Native American Experience: Long Island, New York and Beyond, “We Are All Connected” – New York City, NY 1997
Southampton Artist’s Association July4 Juried Exhibition, 1998, Honorable Mention Southampton Artist’s Association Labor Day Weekend Exhibition, 1998
The Native American Experience: Long Island, New York and Beyond, “We Are All Connected” Hofstra University, NY 1998
Cafe Exhibition, Borders Bookstore, Commack, NY 1998
Teepee In The Hills Indian Trading Post/Gallery, Southampton, NY 1998
The Gallery at Bristol-Myers Squibb, Princeton, NJ, 1997
EAC Art Exhibition and Craft Fair, Sotheby's, NY, 1996
Exhibition, Southampton Town Hall, 1996
“From The Heart/Contemporary Native American Art of the Mid-Atlantic Region” Intercultural Resource Center at Columbia University, 1992
“Circle of Power” American Indian Community House Gallery/Museum, 1992 I
ndigenous Visions Gallery, Southampton, NY 1992 “Rider With No Horse” Hutchin’s Gallery, C.W. Post Campus, LIU, 1988
“Rider With No Horse” – “Medicine Show”, Jamaica Arts Center, Queens, NY 1988
“Rider With No Horse” Minor Injury Gallery, Brooklyn, NY 1988
Rider With No Horse” – “Masks”, Gallery of the Manhattan Borough President, New York City, 1988
Guild Hall, Easthampton, NY, Artist Member’s Exhibit, 1986 Guild Hall, Easthampton, NY, Clothesline Art shows, 1985-87
“In Beauty It Is Begun…” Metropolitan Museum of Art, New York City, 1973
SELECTED COMMISSIONS
Children’s Mural, Challenge America Grant Joint Project, Family Preservation Center, Shinnecock Reservation, Southampton, NY 2002
“The Peaceful People and the First Nations Mural”, American Friends Service Committee, New York, NY 2001
Shinnecock Indian Wigwam, full-scale replica exhibit for “Treasures of Long Island” exhibition, Museums at Stony Brook, NY 1998
“First Settlers and Farmers” oil painting for the Water Mill Museum, Water Mill, NY, 1997
“Six Cultural Phases” murals for Shinnecock Nation Cultural Center and Museum, Southampton, NY 1994
“Six Cultural Phases” murals for Long Island Culture History Lab and Museum, Hoyt Farm Park, Commack, NY 1989 Fort Sill Apache Tribal Seal, 1984
Portrait of Geronimo for Allan Houser, Santa Fe, NM, 1985 Numerous private portrait commissions, 1980-2003
“Little Girl” monumental wood sculpture, 1995
Algonquian ball-headed, war club, wood carving, John Strong, 1995
Algonquian ball-headed, war club, wood carving, Eugene Cuffee, 1995
AWARDS Joan Mitchell Award, 2008 Andy Warhol Curatorial Research Fellowship Robert Rauschenberg Residency, Captiva. Fl. 3-4, 2015
BOOK ILLUSTRATIONS
The Montaukett Indians of eastern Long Island, Syracuse University, 2001
Thomas Halsey and the Halsey House, booklet, Southampton Colonial Society and Halsey Family Association, 1998
We Are Still Here! The Algonquian Peoples of Long Island Today, Hofstra University, 1996
The Algonquian Peoples of Long Island from Earliest Times to 1700’s, Hofstra University, 1996
The Reaffirmation of Traditional Cultures of Indians of Long Island, Hofstra University, 1996
Water Mill Celebrating Community, the history of a Long Island Hamlet, Peconic Company, Mattituck, NY, 1996
To Know The Place-Exploring Long Island History, Hofstra University, 1995
Ethno history, Vol. 41, No. 4, Duke University Press, 1994 American Indian Culture and research Journal, Vol. 16, No. 1, University of California, Los Angeles, 1992
The Long Island Historical Journal, SUNY, Stonybrook, 1991
The Hills Long Ago, Academy, 1991
The Southeastern Ceremonial Complex, University of Nebraska, 1989
The Shinnecock Indians, A Culture History, Ginn, 1984
Good Ground Remembered, Academy, 1984
The Thompson Begonia guide, Thompson, 1976
TELEVISION, RADIO,PUBLICATIONS
WLIW, Channel 21, 2005 PBS, “History Detectives”,
2005 Riverhead Cable, Channel 20, “Master Artist Series”, Ellen DePazzi,
2005 NPR Radio Interview on Shinnecock Museum,
2005 WLIU Radio Interview, Bonny Grice show,
Southampton College Campus, 2005 Producer and Host,
Channel 27 Cablevision Systems, Riverhead, NY “Voices of Native America”, broadcast monthly,
1990-96 Producer and Host, Channel 27 Cablevision Systems, Riverhead, NY
“Drawing and Painting with David Martine”, Show, 1996 WRIV,
“The People Speak”, Jay Janoski, Feb. 22, 1992 WCBS, “Dialogue 101”
Native American Culture, 1990 1980-2005, New York Times, Southampton Press, East Hampton Star, Long Island Newsday,
Dan’s Papers Who’s Who in America, 61st Edition, 2007